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added few summaries
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Siddhartha
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<meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no">
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<title>3 Iron (2004) by Kim Ki-duk | Siddhartha Golu</title>
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<meta name="keywords" content="foreign-cinema, asia, minimalism">
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<meta name="description" content="Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
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We are all empty houses, waiting for someone to open the lock and set us free.
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There’s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word.">
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<meta name="description" content="A film where everything is conveyed through glances.">
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@@ -60,9 +58,7 @@ There’s something romantic about living on extremes. This applies as much
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</noscript><meta property="og:title" content="3 Iron (2004) by Kim Ki-duk" />
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<meta property="og:description" content="Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
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We are all empty houses, waiting for someone to open the lock and set us free.
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There’s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word." />
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@@ -72,9 +68,7 @@ There’s something romantic about living on extremes. This applies as much
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<meta name="twitter:image" content="https://www.siddharthagolu.com/images/3-iron.jpg" />
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<meta name="twitter:title" content="3 Iron (2004) by Kim Ki-duk"/>
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<meta name="twitter:description" content="Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
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We are all empty houses, waiting for someone to open the lock and set us free.
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There’s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word."/>
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<meta name="twitter:description" content="A film where everything is conveyed through glances."/>
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@@ -103,9 +97,9 @@ There’s something romantic about living on extremes. This applies as much
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"headline": "3 Iron (2004) by Kim Ki-duk",
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"name": "3 Iron (2004) by Kim Ki-duk",
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"description": "Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd\nWe are all empty houses, waiting for someone to open the lock and set us free.\nThere\u0026rsquo;s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word.",
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"description": "A film where everything is conveyed through glances.",
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"foreign-cinema", "asia", "minimalism"
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"articleBody": "Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd\nWe are all empty houses, waiting for someone to open the lock and set us free.\nThere’s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word. Both are equally satisfying for the soul.\nA lovely introduction to the cinema of Kim Ki-Duk.\n",
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<h1 class="post-title">
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3 Iron (2004) by Kim Ki-duk
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</h1>
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<div class="post-meta"><span title='2021-11-14 10:46:40 +0530 IST'>🗓 November 14, 2021</span> 1 min 🔖 <a href="/tags/foreign-cinema"> foreign-cinema</a> · <a href="/tags/asia"> asia</a> · <a href="/tags/minimalism"> minimalism</a>
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<div class="post-meta"><span title='2021-11-14 10:46:40 +0530 IST'>🗓 November 14, 2021</span> 1 min 🔖 <a href="/tags/foreign-cinema"> foreign-cinema</a> · <a href="/tags/asia"> asia</a> · <a href="/tags/minimalism"> minimalism</a> · <a href="/tags/favourites"> favourites</a>
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</header>
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<li><a href="https://www.siddharthagolu.com/tags/foreign-cinema/">foreign-cinema</a></li>
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<li><a href="https://www.siddharthagolu.com/tags/asia/">asia</a></li>
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<li><a href="https://www.siddharthagolu.com/tags/minimalism/">minimalism</a></li>
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<li><a href="https://www.siddharthagolu.com/tags/favourites/">favourites</a></li>
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</ul>
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<nav class="paginav">
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<a class="prev" href="https://www.siddharthagolu.com/posts/reading/life-between-buildings/">
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<a target="_blank" rel="noopener noreferrer" aria-label="share 3 Iron (2004) by Kim Ki-duk on twitter"
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<meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no">
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<meta name="robots" content="index, follow">
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<title>After Life (1998) by Hirokazu Kore-eda | Siddhartha Golu</title>
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<meta name="keywords" content="foreign-cinema, asia">
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<meta name="description" content="Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
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Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you’re asked to choose something which you’ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?">
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<meta name="keywords" content="foreign-cinema, asia, favourites">
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<meta name="description" content="An interesting take on life, seen through the lens of afterlife. Highly recommended!">
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@@ -59,8 +58,7 @@ Can there be a more difficult task than being asked to select a single memory fr
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</noscript><meta property="og:title" content="After Life (1998) by Hirokazu Kore-eda" />
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<meta property="og:description" content="Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
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Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you’re asked to choose something which you’ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?" />
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<meta property="og:description" content="An interesting take on life, seen through the lens of afterlife. Highly recommended!" />
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<meta name="twitter:card" content="summary_large_image" />
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<meta name="twitter:image" content="https://www.siddharthagolu.com/images/after-life.jpg" />
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<meta name="twitter:description" content="Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
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Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you’re asked to choose something which you’ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?"/>
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"name": "After Life (1998) by Hirokazu Kore-eda",
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"description": "Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd\nCan there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you\u0026rsquo;re asked to choose something which you\u0026rsquo;ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?",
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"articleBody": "Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd\nCan there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you’re asked to choose something which you’ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being? Would you like to remember your life as having lived a happy memory or would rather prefer a kaleidoscope?\nThere are no right answers to these questions.\nAs I read somewhere few hours ago:\n“Film editing performs on the material of a film, the operation that death performs on life - that is, giving a sequence of uncertain and unstable events a coherent form and meaning”.\nWatching the film unfold was like leafing through the pages of my own life. In fact, I think the characters are universal - everyone can find at least one person (or their memory) here that they’ll relate to. The most intriguing case being a young man who has left the world before his cynicism could turn into quiet acceptance. After refusing to select one memory from his past, he says in one of the conversations:\n… But those are just memories. And ultimately, we end up turning memories into our own images. Of course, it really happened so it feels very real, but, Say I construct the future, as though I’m making a film about it. As I imagine all kinds of situations, I think what I create, would feel a lot more real than some memory. That’s a lot more meaningful than looking back at the past\".\nRather than giving you answers, Kore-eda takes you on a journey of discovery with questions. After all, how often do you think about death, memory, legacy and afterlife?\n",
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@@ -202,7 +199,7 @@ Can there be a more difficult task than being asked to select a single memory fr
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<h1 class="post-title">
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After Life (1998) by Hirokazu Kore-eda
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</h1>
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<div class="post-meta"><span title='2022-05-01 22:41:55 +0530 IST'>🗓 May 1, 2022</span> 2 min 🔖 <a href="/tags/foreign-cinema"> foreign-cinema</a> · <a href="/tags/asia"> asia</a>
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<div class="post-meta"><span title='2022-05-01 22:41:55 +0530 IST'>🗓 May 1, 2022</span> 2 min 🔖 <a href="/tags/foreign-cinema"> foreign-cinema</a> · <a href="/tags/asia"> asia</a> · <a href="/tags/favourites"> favourites</a>
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</header>
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<ul class="post-tags">
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<li><a href="https://www.siddharthagolu.com/tags/foreign-cinema/">foreign-cinema</a></li>
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<li><a href="https://www.siddharthagolu.com/tags/asia/">asia</a></li>
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<li><a href="https://www.siddharthagolu.com/tags/favourites/">favourites</a></li>
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</ul>
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<nav class="paginav">
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<a class="prev" href="https://www.siddharthagolu.com/posts/reading/four-thousand-weeks/">
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<div class="share-buttons">
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<a target="_blank" rel="noopener noreferrer" aria-label="share After Life (1998) by Hirokazu Kore-eda on twitter"
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href="https://twitter.com/intent/tweet/?text=After%20Life%20%281998%29%20by%20Hirokazu%20Kore-eda&url=https%3a%2f%2fwww.siddharthagolu.com%2fposts%2fcinema%2fafter-life%2f&hashtags=foreign-cinema%2casia">
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