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public/posts/cinema/3-iron/index.html
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<meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no">
<meta name="robots" content="index, follow">
<title>3 Iron (2004) by Kim Ki-duk | The Lazy Oxymoron</title>
<meta name="keywords" content="foreign-cinema, asian, minimalism" />
<meta name="keywords" content="foreign-cinema, asia, minimalism" />
<meta name="description" content="Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
We are all empty houses, waiting for someone to open the lock and set us free.
There&rsquo;s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word.">
@@ -105,7 +105,7 @@
"name": "3 Iron (2004) by Kim Ki-duk",
"description": "Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd\n We are all empty houses, waiting for someone to open the lock and set us free.\n There\u0026rsquo;s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word.",
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"articleBody": "Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd\n We are all empty houses, waiting for someone to open the lock and set us free.\n There’s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word. Both are equally satisfying for the soul.\nA lovely introduction to the cinema of Kim Ki-Duk.\n",
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<footer class="post-footer">
<ul class="post-tags">
<li><a href="https://thelazyoxymoron.me/tags/foreign-cinema/">foreign-cinema</a></li>
<li><a href="https://thelazyoxymoron.me/tags/asian/">asian</a></li>
<li><a href="https://thelazyoxymoron.me/tags/asia/">asia</a></li>
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@@ -244,7 +244,7 @@
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public/posts/cinema/after-life/index.html
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<meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no">
<meta name="robots" content="index, follow">
<title>After Life (1998) by Hirokazu Kore-eda | The Lazy Oxymoron</title>
<meta name="keywords" content="foreign-cinema, asian" />
<meta name="keywords" content="foreign-cinema, asia" />
<meta name="description" content="Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you&rsquo;re asked to choose something which you&rsquo;ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?">
<meta name="author" content="Siddhartha">
@@ -102,7 +102,7 @@
"name": "After Life (1998) by Hirokazu Kore-eda",
"description": "Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd\n Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you\u0026rsquo;re asked to choose something which you\u0026rsquo;ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?",
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"articleBody": "Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd\n Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you’re asked to choose something which you’ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being? Would you like to remember your life as having lived a happy memory or would rather prefer a kaleidoscope?\nThere are no right answers to these questions.\nAs I read somewhere few hours ago:\n “Film editing performs on the material of a film, the operation that death performs on life - that is, giving a sequence of uncertain and unstable events a coherent form and meaning”.\n Watching the film unfold was like leafing through the pages of my own life. In fact, I think the characters are universal - everyone can find at least one person (or their memory) here that they’ll relate to. The most intriguing case being a young man who has left the world before his cynicism could turn into quiet acceptance. After refusing to select one memory from his past, he says in one of the conversations:\n … But those are just memories. And ultimately, we end up turning memories into our own images. Of course, it really happened so it feels very real, but, Say I construct the future, as though I’m making a film about it. As I imagine all kinds of situations, I think what I create, would feel a lot more real than some memory. That’s a lot more meaningful than looking back at the past\".\n Rather than giving you answers, Kore-eda takes you on a journey of discovery with questions. After all, how often do you think about death, memory, legacy and afterlife?\n",
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<li><a href="https://thelazyoxymoron.me/tags/foreign-cinema/">foreign-cinema</a></li>
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@@ -241,7 +241,7 @@
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8
public/posts/cinema/anatolia/index.html
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<meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no">
<meta name="robots" content="index, follow">
<title>Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan | The Lazy Oxymoron</title>
<meta name="keywords" content="foreign-cinema, turkish" />
<meta name="keywords" content="foreign-cinema, turky" />
<meta name="description" content="Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
A slow, methodical display of patience and absurdity juxtaposed on the vast landscape, this film has something else going for it. When you read the synopsis or look at the posters, you expect a certain police procedural drama - the kind of which you&rsquo;ve been accustomed to till date. What you get is a completely different take on the trope.">
<meta name="author" content="Siddhartha">
@@ -102,7 +102,7 @@
"name": "Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan",
"description": "Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd\n A slow, methodical display of patience and absurdity juxtaposed on the vast landscape, this film has something else going for it. When you read the synopsis or look at the posters, you expect a certain police procedural drama - the kind of which you\u0026rsquo;ve been accustomed to till date. What you get is a completely different take on the trope.",
"keywords": [
"foreign-cinema", "turkish"
"foreign-cinema", "turky"
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"articleBody": "Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd\n A slow, methodical display of patience and absurdity juxtaposed on the vast landscape, this film has something else going for it. When you read the synopsis or look at the posters, you expect a certain police procedural drama - the kind of which you’ve been accustomed to till date. What you get is a completely different take on the trope.\nThe cinematography seems out of this world, and the melancholic doctor only adds to the moodiness of the whole atmosphere. One little scene in the middle will remain in my heart for a long time.\n",
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<li><a href="https://thelazyoxymoron.me/tags/foreign-cinema/">foreign-cinema</a></li>
<li><a href="https://thelazyoxymoron.me/tags/turkish/">turkish</a></li>
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@@ -237,7 +237,7 @@
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href="https://twitter.com/intent/tweet/?text=Once%20Upon%20a%20Time%20in%20Anatolia%20%282011%29%20by%20Nuri%20Bilge%20Ceylan&amp;url=https%3a%2f%2fthelazyoxymoron.me%2fposts%2fcinema%2fanatolia%2f&amp;hashtags=foreign-cinema%2cturkish">
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public/posts/cinema/winter-sleep/index.html
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<meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no">
<meta name="robots" content="index, follow">
<title>Winter Sleep (2014) by Nuri Bilge Ceylan | The Lazy Oxymoron</title>
<meta name="keywords" content="foreign-cinema, turkish" />
<meta name="keywords" content="foreign-cinema, turky" />
<meta name="description" content="Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
Over the years, I have increasingly gravitated towards films where supposedly &ldquo;nothing happens&rdquo;. Characters talk, no attempt is made to instill a moral point into the minds of the audience, which is usually accompanied with long, patient shots of people existing in their environments. This was an excellent specimen of the same dish.
I had watched Once Upon a Time in Anatolia from the same director previously and much like films by Wes Anderson, I could immediately tell this was Ceylan&rsquo;s film right from the start, although these two directors could not be any more different.">
@@ -105,7 +105,7 @@ I had watched Once Upon a Time in Anatolia from the same director previously and
"name": "Winter Sleep (2014) by Nuri Bilge Ceylan",
"description": "Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd\n Over the years, I have increasingly gravitated towards films where supposedly \u0026ldquo;nothing happens\u0026rdquo;. Characters talk, no attempt is made to instill a moral point into the minds of the audience, which is usually accompanied with long, patient shots of people existing in their environments. This was an excellent specimen of the same dish.\nI had watched Once Upon a Time in Anatolia from the same director previously and much like films by Wes Anderson, I could immediately tell this was Ceylan\u0026rsquo;s film right from the start, although these two directors could not be any more different.",
"keywords": [
"foreign-cinema", "turkish"
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"articleBody": "Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd\n Over the years, I have increasingly gravitated towards films where supposedly “nothing happens”. Characters talk, no attempt is made to instill a moral point into the minds of the audience, which is usually accompanied with long, patient shots of people existing in their environments. This was an excellent specimen of the same dish.\nI had watched Once Upon a Time in Anatolia from the same director previously and much like films by Wes Anderson, I could immediately tell this was Ceylan’s film right from the start, although these two directors could not be any more different. The way Ceylan deals with landscapes and how people co-exist with nature is simply breathtaking. Alas, I neither have the vocabulary nor the expertise to appreciate much less dissect a film like this, but let these screenings be my own private film school and I hope that at the end of this year (which I’ve dedicated to watching foreign language films only), I would at least be in a position where I can better appreciate these masters of their crafts.\n",
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@@ -222,7 +222,7 @@ I had watched Once Upon a Time in Anatolia from the same director previously and
<footer class="post-footer">
<ul class="post-tags">
<li><a href="https://thelazyoxymoron.me/tags/foreign-cinema/">foreign-cinema</a></li>
<li><a href="https://thelazyoxymoron.me/tags/turkish/">turkish</a></li>
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@@ -240,7 +240,7 @@ I had watched Once Upon a Time in Anatolia from the same director previously and
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<h1>asia</h1>
</header>
<article class="post-entry tag-entry">
<header class="entry-header">
<h2>After Life (1998) by Hirokazu Kore-eda
</h2>
</header>
<section class="entry-content">
<p>Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you’re asked to choose something which you’ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?...</p>
</section>
<footer class="entry-footer"><span title='2022-05-01 22:41:55 +0530 IST'>May 1, 2022</span>&nbsp;·&nbsp;2 min&nbsp;·&nbsp;Siddhartha</footer>
<a class="entry-link" aria-label="post link to After Life (1998) by Hirokazu Kore-eda" href="https://thelazyoxymoron.me/posts/cinema/after-life/"></a>
</article>
<article class="post-entry tag-entry">
<header class="entry-header">
<h2>3 Iron (2004) by Kim Ki-duk
</h2>
</header>
<section class="entry-content">
<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
We are all empty houses, waiting for someone to open the lock and set us free.
There’s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word....</p>
</section>
<footer class="entry-footer"><span title='2021-11-14 10:46:40 +0530 IST'>November 14, 2021</span>&nbsp;·&nbsp;1 min&nbsp;·&nbsp;Siddhartha</footer>
<a class="entry-link" aria-label="post link to 3 Iron (2004) by Kim Ki-duk" href="https://thelazyoxymoron.me/posts/cinema/3-iron/"></a>
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<title>After Life (1998) by Hirokazu Kore-eda</title>
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<description>Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
Can there be a more difficult task than being asked to select a single memory from your life that you want to carry forever? As humans, we contain multitudes and we want to resist any attempt to put us into a box. But what happens if you&amp;rsquo;re asked to choose something which you&amp;rsquo;ll cherish for the rest of your life - would you let go of all the times when you were sad, angry, bitter, hypocrite and a bad human being?</description>
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<title>3 Iron (2004) by Kim Ki-duk</title>
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<pubDate>Sun, 14 Nov 2021 10:46:40 +0530</pubDate>
<guid>https://thelazyoxymoron.me/posts/cinema/3-iron/</guid>
<description>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
We are all empty houses, waiting for someone to open the lock and set us free.
There&amp;rsquo;s something romantic about living on extremes. This applies as much to my film taste as it does to my day-to-day life. Nowhere is this more evident than in a crucial element of cinema - dialogues. On the one hand, you have Celine and Jesse showing us the entire world through their words, while on the other you have Sun and Tae doing the same thing without speaking a word.</description>
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<a href="https://thelazyoxymoron.me/tags/audiobook/">audiobook <sup><strong><sup>3</sup></strong></sup> </a>
@@ -236,7 +236,7 @@
<a href="https://thelazyoxymoron.me/tags/society/">society <sup><strong><sup>1</sup></strong></sup> </a>
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<a href="https://thelazyoxymoron.me/tags/turkish/">turkish <sup><strong><sup>2</sup></strong></sup> </a>
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<h1>turky</h1>
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<article class="post-entry tag-entry">
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<h2>Winter Sleep (2014) by Nuri Bilge Ceylan
</h2>
</header>
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<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
Over the years, I have increasingly gravitated towards films where supposedly “nothing happens”. Characters talk, no attempt is made to instill a moral point into the minds of the audience, which is usually accompanied with long, patient shots of people existing in their environments. This was an excellent specimen of the same dish.
I had watched Once Upon a Time in Anatolia from the same director previously and much like films by Wes Anderson, I could immediately tell this was Ceylan’s film right from the start, although these two directors could not be any more different....</p>
</section>
<footer class="entry-footer"><span title='2021-03-15 21:30:40 +0530 IST'>March 15, 2021</span>&nbsp;·&nbsp;1 min&nbsp;·&nbsp;Siddhartha</footer>
<a class="entry-link" aria-label="post link to Winter Sleep (2014) by Nuri Bilge Ceylan" href="https://thelazyoxymoron.me/posts/cinema/winter-sleep/"></a>
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<header class="entry-header">
<h2>Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan
</h2>
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<section class="entry-content">
<p>Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
A slow, methodical display of patience and absurdity juxtaposed on the vast landscape, this film has something else going for it. When you read the synopsis or look at the posters, you expect a certain police procedural drama - the kind of which you’ve been accustomed to till date. What you get is a completely different take on the trope....</p>
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<footer class="entry-footer"><span title='2021-02-07 22:44:49 +0530 IST'>February 7, 2021</span>&nbsp;·&nbsp;1 min&nbsp;·&nbsp;Siddhartha</footer>
<a class="entry-link" aria-label="post link to Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan" href="https://thelazyoxymoron.me/posts/cinema/anatolia/"></a>
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<title>Winter Sleep (2014) by Nuri Bilge Ceylan</title>
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<description>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
Over the years, I have increasingly gravitated towards films where supposedly &amp;ldquo;nothing happens&amp;rdquo;. Characters talk, no attempt is made to instill a moral point into the minds of the audience, which is usually accompanied with long, patient shots of people existing in their environments. This was an excellent specimen of the same dish.
I had watched Once Upon a Time in Anatolia from the same director previously and much like films by Wes Anderson, I could immediately tell this was Ceylan&amp;rsquo;s film right from the start, although these two directors could not be any more different.</description>
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<title>Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan</title>
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<description>Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
A slow, methodical display of patience and absurdity juxtaposed on the vast landscape, this film has something else going for it. When you read the synopsis or look at the posters, you expect a certain police procedural drama - the kind of which you&amp;rsquo;ve been accustomed to till date. What you get is a completely different take on the trope.</description>
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