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add review of four thousand weeks
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content/posts/Reading/four-thousand-weeks.md
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content/posts/Reading/four-thousand-weeks.md
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title: "Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman"
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date: 2022-09-21T07:35:24+05:30
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categories: ["Book Notes"]
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tags: ["non-fiction", "productivity"]
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---
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Nothing extra-ordinary in terms of content, but special when you think of the book as a compilation of useful frameworks to think about time.
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Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I've already been a productivity addict for so long that it's impossible for me to make a fresh start. The central theme of the book - that you won't ever get to do all the things you've set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland.
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Having said that, the self-help ocean that this book is a part of, is filled with heaps of garbage books, so stumbling upon this one is like finding a needle in a haystack. Few ways of thinking about time and choices that I found interesting:
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> Don't think of these things as life hacks - don't treat life as a faulty contraption in need of modification.
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> A spin on FOMO (Fear of Missing Out): missing out is what makes our choices meaningful in the first place, every decision to use a portion of a time on anything represents saying no to every other thing that you could've done but you didn't.
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> The anti-skill of staying with the anxiety of never having time to do everything.
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> Picking one item from the menu represents an affirmation rather than a defeat. The fact that you could've chosen a different and perhaps equally valuable way to spend this afternoon bestows meaning on the choice you did make.
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> A hobbyist is a subversive: they insist that some things are worth doing for themselves alone, despite offering no payoffs in terms of productivity or profit.
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<h3 class="archive-entry-title">Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman
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</h3>
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<div class="archive-meta"><span title='2022-09-21 07:35:24 +0530 IST'>September 21, 2022</span> · 2 min · Siddhartha</div>
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<a class="entry-link" aria-label="post link to Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman" href="https://thelazyoxymoron.me/posts/reading/four-thousand-weeks/"></a>
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<h1>Book Notes</h1>
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<h1>Book Notes</h1>
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<article class="post-entry tag-entry">
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<h2>Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman
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</h2>
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</header>
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<section class="entry-content">
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<p>Nothing extra-ordinary in terms of content, but special when you think of the book as a compilation of useful frameworks to think about time.
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Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I’ve already been a productivity addict for so long that it’s impossible for me to make a fresh start. The central theme of the book - that you won’t ever get to do all the things you’ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland....</p>
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<footer class="entry-footer"><span title='2022-09-21 07:35:24 +0530 IST'>September 21, 2022</span> · 2 min · Siddhartha</footer>
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<a class="entry-link" aria-label="post link to Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman" href="https://thelazyoxymoron.me/posts/reading/four-thousand-weeks/"></a>
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<h2>Life Between Buildings by Jan Gehl
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<h2>Life Between Buildings by Jan Gehl
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@@ -255,20 +268,6 @@ As is the norm for every child brought up in religion, I used to consider myself
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<footer class="entry-footer"><span title='2020-05-01 23:39:18 +0530 IST'>May 1, 2020</span> · 2 min · Siddhartha</footer>
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<footer class="entry-footer"><span title='2020-05-01 23:39:18 +0530 IST'>May 1, 2020</span> · 2 min · Siddhartha</footer>
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<a class="entry-link" aria-label="post link to Bad Blood by John Carreyrou" href="https://thelazyoxymoron.me/posts/reading/bad-blood/"></a>
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<p>Check it out on Goodreads
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A disappointing jumble of thoughts Disappointed.
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I am an atheist interested in the power of mindfulness and the whole world of so-called spirituality, so naturally, I am the ideal audience that Sam Harris is looking for. But it disappointed in almost every domain that I had expectations in. Using deep-sounding difficult words and wrapping them in an almost mythical aura of “Consciousness”, this one was a huge letdown....</p>
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<footer class="entry-footer"><span title='2020-04-15 23:31:08 +0530 IST'>April 15, 2020</span> · 1 min · Siddhartha</footer>
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<description>Nothing extra-ordinary in terms of content, but special when you think of the book as a compilation of useful frameworks to think about time.
|
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Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I&rsquo;ve already been a productivity addict for so long that it&rsquo;s impossible for me to make a fresh start. The central theme of the book - that you won&rsquo;t ever get to do all the things you&rsquo;ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland.</description>
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<title>Life Between Buildings by Jan Gehl</title>
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<title>Life Between Buildings by Jan Gehl</title>
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<link>https://thelazyoxymoron.me/posts/reading/life-between-buildings/</link>
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<p>Check it out on Goodreads
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A disappointing jumble of thoughts Disappointed.
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||||||
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I am an atheist interested in the power of mindfulness and the whole world of so-called spirituality, so naturally, I am the ideal audience that Sam Harris is looking for. But it disappointed in almost every domain that I had expectations in. Using deep-sounding difficult words and wrapping them in an almost mythical aura of “Consciousness”, this one was a huge letdown....</p>
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<footer class="entry-footer"><span title='2020-04-15 23:31:08 +0530 IST'>April 15, 2020</span> · 1 min · Siddhartha</footer>
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<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
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<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
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Motorcycling community is laden with fist-pumping-muscle-bulging-neckbeardy-speed-ninjas-Harley-fans, and it usually gets a bad rap all across the world. Gaurav Jani is none of these things. His passion and humility and curious nature reminded me why I loved biking in the first place. This is a must-watch for anyone fascinated with two wheels and the places they enable you to visit....</p>
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Motorcycling community is laden with fist-pumping-muscle-bulging-neckbeardy-speed-ninjas-Harley-fans, and it usually gets a bad rap all across the world. Gaurav Jani is none of these things. His passion and humility and curious nature reminded me why I loved biking in the first place. This is a must-watch for anyone fascinated with two wheels and the places they enable you to visit.</p>
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<footer class="entry-footer"><span title='2021-01-03 22:53:01 +0530 IST'>January 3, 2021</span> · 1 min · Siddhartha</footer>
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<footer class="entry-footer"><span title='2021-01-03 22:53:01 +0530 IST'>January 3, 2021</span> · 1 min · Siddhartha</footer>
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<a href="https://thelazyoxymoron.me/categories/book-notes/">Book Notes <sup><strong><sup>17</sup></strong></sup> </a>
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<a href="https://thelazyoxymoron.me/categories/book-notes/">Book Notes <sup><strong><sup>18</sup></strong></sup> </a>
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<a href="https://thelazyoxymoron.me/categories/cinema/">Cinema <sup><strong><sup>8</sup></strong></sup> </a>
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<p>My fascination with the visual media brought me closer to seeing the world through a different lens. This is an ongoing effort to capture what I see and share it with the world.
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<p>My fascination with the visual media brought me closer to seeing the world through a different lens. This is an ongoing effort to capture what I see and share it with the world.
|
||||||
You can browse the images below using left/right keys. All the images are hosted on flickr, I’d recommend navigating to my photostream if you want to see them in full size.
|
You can browse the images below using left/right keys. All the images are hosted on flickr, I’d recommend navigating to my photostream if you want to see them in full size.
|
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(You might need to enable Javascript if you’re unable to see the below images properly)...</p>
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(You might need to enable Javascript if you’re unable to see the below images properly)</p>
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<footer class="entry-footer"><span title='2021-03-23 20:18:21 +0530 IST'>March 23, 2021</span> · 1 min · Siddhartha</footer>
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<footer class="entry-footer"><span title='2021-03-23 20:18:21 +0530 IST'>March 23, 2021</span> · 1 min · Siddhartha</footer>
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<title>Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman</title>
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<description>Nothing extra-ordinary in terms of content, but special when you think of the book as a compilation of useful frameworks to think about time.
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Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I&rsquo;ve already been a productivity addict for so long that it&rsquo;s impossible for me to make a fresh start. The central theme of the book - that you won&rsquo;t ever get to do all the things you&rsquo;ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland.</description>
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<title>After Life (1998) by Hirokazu Kore-eda</title>
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"foreign-cinema", "norwegian"
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"articleBody": "Verdict: ★ ★ ★ ★ ☆ Check out this review on Letterboxd\n Anhedonia. The Wikipedia entry for this word says:\n a diverse array of deficits in hedonic function, including reduced motivation or ability to experience pleasure.\n At one point or another, we have all experienced some version of this phenomenon - may be characterized by an oversaturation of love, or caused by a prolonged mediocrity in life, or as in the case of our protagonist here, the complete loss of will and motivation to feel anything.\nThere’s something intriguing about the slice-of-life cinematic style - it doesn’t have a dramatic plot, no pulsating action or suspenseful storyline to keep us on the edge of our seats - and yet, I can’t seem to be able to leave the film to grab even a glass of water. Linklater is one of the masters of this style, keeping the viewers engaged via dialogues. Here, Joachim Trier opts for a more subtle approach of filmmaking, making us observe things rather than spoon-feeding us via expository dialogues. There are some powerful scenes scattered throughout the film. With the opening montage, we are absorbed into the old and beautiful city of Oslo, making us nostalgic about a place we’ve never been to. And then comes a powerful scene - we see the protagonist going for a walk into the forest, a shaky camera holding the inscrutable face of Anders in the frame. Once he reaches the lake, he fills up his jacket pockets with rocks and attempts to drown himself in the lake. The camera stays steady over the surface of the lake, instead of following him underwater, we shift in our seats - uncomfortable with anticipation. The tension resolves as we see Anders gasp out of the water and go back dejectedly towards his home. We learn that he’s a recovering addict, currently in an institution, and has suicidal tendencies.\nAll of this is shown without any soundtrack or dialogues.\nAnother scene that I found particularly powerful was the café scene. The way Anders selectively chooses to listen to particular conversations, especially a girl reciting her list of things she’d want to do over the course of her life, there’s a strong contrast between the girl’s (perhaps naive) optimism and Anders' pessimism for life. Anders has lost his ability to feel motivation or pleasure as he desperately looks for some way to remedy this. Anders' best friend quotes Proust during one of their discussions:\n Trying to understand desire by watching a nude woman is like a child taking apart a clock to understand time.\n Anders is trying to do exactly that, looking for some way to connect with the outside world without losing himself. There’s not a single pivotal moment in the film where one can say that this is where he stops trying, instead we see him increasingly spiraling out of the natural order and getting distant from the illusory ideal he was hoping for in the first half of the film. He hesitantly goes to a friend’s party, trying to achieve some normalcy in his otherwise fucked up life, but there he is reminded of the same old crowd of people who are miserable and unhappy with their lives and are trying to drown their sorrows with alcohol - and this reminder is too much for Anders. He begins to feel convinced that there’s no way for him to get out of this death spiral and begins to let go. There’s no hope left for him. During one of the last scenes, he goes to his ancestral home where he finds a house full of reminders of his happy past, tries for the last time to feel some emotion by playing the old piano but halts abruptly as it’s evident he has lost his emotional connection with this once-beloved playing like everything else. The last sigh we hear from him is the only way he knows of feeling something - drugs, as he lets go for the last time.\nThe depression of a lone man struggling with mental health issues is shown beautifully here, even though the conclusions are tragic. Lately, I’ve been getting a lot of recommendations to watch Scandinavian movies and I’ve been loving them! This film will go down as yet another one of the great, grounded movies about depression, addiction, and city life in my diary.\n ",
|
"articleBody": "Verdict: ★ ★ ★ ★ ☆ Check out this review on Letterboxd\nAnhedonia. The Wikipedia entry for this word says:\na diverse array of deficits in hedonic function, including reduced motivation or ability to experience pleasure.\nAt one point or another, we have all experienced some version of this phenomenon - may be characterized by an oversaturation of love, or caused by a prolonged mediocrity in life, or as in the case of our protagonist here, the complete loss of will and motivation to feel anything.\nThere’s something intriguing about the slice-of-life cinematic style - it doesn’t have a dramatic plot, no pulsating action or suspenseful storyline to keep us on the edge of our seats - and yet, I can’t seem to be able to leave the film to grab even a glass of water. Linklater is one of the masters of this style, keeping the viewers engaged via dialogues. Here, Joachim Trier opts for a more subtle approach of filmmaking, making us observe things rather than spoon-feeding us via expository dialogues. There are some powerful scenes scattered throughout the film. With the opening montage, we are absorbed into the old and beautiful city of Oslo, making us nostalgic about a place we’ve never been to. And then comes a powerful scene - we see the protagonist going for a walk into the forest, a shaky camera holding the inscrutable face of Anders in the frame. Once he reaches the lake, he fills up his jacket pockets with rocks and attempts to drown himself in the lake. The camera stays steady over the surface of the lake, instead of following him underwater, we shift in our seats - uncomfortable with anticipation. The tension resolves as we see Anders gasp out of the water and go back dejectedly towards his home. We learn that he’s a recovering addict, currently in an institution, and has suicidal tendencies.\nAll of this is shown without any soundtrack or dialogues.\nAnother scene that I found particularly powerful was the café scene. The way Anders selectively chooses to listen to particular conversations, especially a girl reciting her list of things she’d want to do over the course of her life, there’s a strong contrast between the girl’s (perhaps naive) optimism and Anders’ pessimism for life. Anders has lost his ability to feel motivation or pleasure as he desperately looks for some way to remedy this. Anders’ best friend quotes Proust during one of their discussions:\nTrying to understand desire by watching a nude woman is like a child taking apart a clock to understand time.\nAnders is trying to do exactly that, looking for some way to connect with the outside world without losing himself. There’s not a single pivotal moment in the film where one can say that this is where he stops trying, instead we see him increasingly spiraling out of the natural order and getting distant from the illusory ideal he was hoping for in the first half of the film. He hesitantly goes to a friend’s party, trying to achieve some normalcy in his otherwise fucked up life, but there he is reminded of the same old crowd of people who are miserable and unhappy with their lives and are trying to drown their sorrows with alcohol - and this reminder is too much for Anders. He begins to feel convinced that there’s no way for him to get out of this death spiral and begins to let go. There’s no hope left for him. During one of the last scenes, he goes to his ancestral home where he finds a house full of reminders of his happy past, tries for the last time to feel some emotion by playing the old piano but halts abruptly as it’s evident he has lost his emotional connection with this once-beloved playing like everything else. The last sigh we hear from him is the only way he knows of feeling something - drugs, as he lets go for the last time.\nThe depression of a lone man struggling with mental health issues is shown beautifully here, even though the conclusions are tragic. Lately, I’ve been getting a lot of recommendations to watch Scandinavian movies and I’ve been loving them! This film will go down as yet another one of the great, grounded movies about depression, addiction, and city life in my diary.\n",
|
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"image":"https://thelazyoxymoron.me/images/oslo-august-31.jpg","datePublished": "2020-06-04T14:39:00+05:30",
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"image":"https://thelazyoxymoron.me/images/oslo-august-31.jpg","datePublished": "2020-06-04T14:39:00+05:30",
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<p>At one point or another, we have all experienced some version of this phenomenon - may be characterized by an oversaturation of love, or caused by a prolonged mediocrity in life, or as in the case of our protagonist here, the complete loss of will and motivation to feel anything.</p>
|
<p>At one point or another, we have all experienced some version of this phenomenon - may be characterized by an oversaturation of love, or caused by a prolonged mediocrity in life, or as in the case of our protagonist here, the complete loss of will and motivation to feel anything.</p>
|
||||||
<p>There’s something intriguing about the slice-of-life cinematic style - it doesn’t have a dramatic plot, no pulsating action or suspenseful storyline to keep us on the edge of our seats - and yet, I can’t seem to be able to leave the film to grab even a glass of water. Linklater is one of the masters of this style, keeping the viewers engaged via dialogues. Here, Joachim Trier opts for a more subtle approach of filmmaking, making us observe things rather than spoon-feeding us via expository dialogues. There are some powerful scenes scattered throughout the film. With the opening montage, we are absorbed into the old and beautiful city of Oslo, making us nostalgic about a place we’ve never been to. And then comes a powerful scene - we see the protagonist going for a walk into the forest, a shaky camera holding the inscrutable face of Anders in the frame. Once he reaches the lake, he fills up his jacket pockets with rocks and attempts to drown himself in the lake. The camera stays steady over the surface of the lake, instead of following him underwater, we shift in our seats - uncomfortable with anticipation. The tension resolves as we see Anders gasp out of the water and go back dejectedly towards his home. We learn that he’s a recovering addict, currently in an institution, and has suicidal tendencies.</p>
|
<p>There’s something intriguing about the slice-of-life cinematic style - it doesn’t have a dramatic plot, no pulsating action or suspenseful storyline to keep us on the edge of our seats - and yet, I can’t seem to be able to leave the film to grab even a glass of water. Linklater is one of the masters of this style, keeping the viewers engaged via dialogues. Here, Joachim Trier opts for a more subtle approach of filmmaking, making us observe things rather than spoon-feeding us via expository dialogues. There are some powerful scenes scattered throughout the film. With the opening montage, we are absorbed into the old and beautiful city of Oslo, making us nostalgic about a place we’ve never been to. And then comes a powerful scene - we see the protagonist going for a walk into the forest, a shaky camera holding the inscrutable face of Anders in the frame. Once he reaches the lake, he fills up his jacket pockets with rocks and attempts to drown himself in the lake. The camera stays steady over the surface of the lake, instead of following him underwater, we shift in our seats - uncomfortable with anticipation. The tension resolves as we see Anders gasp out of the water and go back dejectedly towards his home. We learn that he’s a recovering addict, currently in an institution, and has suicidal tendencies.</p>
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<p>All of this is shown without any soundtrack or dialogues.</p>
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<p>All of this is shown without any soundtrack or dialogues.</p>
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<p>Another scene that I found particularly powerful was the café scene. The way Anders selectively chooses to listen to particular conversations, especially a girl reciting her list of things she’d want to do over the course of her life, there’s a strong contrast between the girl’s (perhaps naive) optimism and Anders' pessimism for life. Anders has lost his ability to feel motivation or pleasure as he desperately looks for some way to remedy this. Anders' best friend quotes Proust during one of their discussions:</p>
|
<p>Another scene that I found particularly powerful was the café scene. The way Anders selectively chooses to listen to particular conversations, especially a girl reciting her list of things she’d want to do over the course of her life, there’s a strong contrast between the girl’s (perhaps naive) optimism and Anders’ pessimism for life. Anders has lost his ability to feel motivation or pleasure as he desperately looks for some way to remedy this. Anders’ best friend quotes Proust during one of their discussions:</p>
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<blockquote>
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<blockquote>
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<p>Trying to understand desire by watching a nude woman is like a child taking apart a clock to understand time.</p>
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<p>Trying to understand desire by watching a nude woman is like a child taking apart a clock to understand time.</p>
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<h1>Posts</h1>
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<h1>Posts</h1>
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<article class="post-entry">
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||||||
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||||||
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<h2>Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman
|
||||||
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</h2>
|
||||||
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</header>
|
||||||
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<section class="entry-content">
|
||||||
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<p>Nothing extra-ordinary in terms of content, but special when you think of the book as a compilation of useful frameworks to think about time.
|
||||||
|
Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I’ve already been a productivity addict for so long that it’s impossible for me to make a fresh start. The central theme of the book - that you won’t ever get to do all the things you’ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland....</p>
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<footer class="entry-footer"><span title='2022-09-21 07:35:24 +0530 IST'>September 21, 2022</span> · 2 min · Siddhartha</footer>
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<a class="entry-link" aria-label="post link to Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman" href="https://thelazyoxymoron.me/posts/reading/four-thousand-weeks/"></a>
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<h2>After Life (1998) by Hirokazu Kore-eda
|
<h2>After Life (1998) by Hirokazu Kore-eda
|
||||||
@@ -272,19 +285,6 @@ I had watched Once Upon a Time in Anatolia from the same director previously and
|
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<footer class="entry-footer"><span title='2021-03-15 21:30:40 +0530 IST'>March 15, 2021</span> · 1 min · Siddhartha</footer>
|
<footer class="entry-footer"><span title='2021-03-15 21:30:40 +0530 IST'>March 15, 2021</span> · 1 min · Siddhartha</footer>
|
||||||
<a class="entry-link" aria-label="post link to Winter Sleep (2014) by Nuri Bilge Ceylan" href="https://thelazyoxymoron.me/posts/cinema/winter-sleep/"></a>
|
<a class="entry-link" aria-label="post link to Winter Sleep (2014) by Nuri Bilge Ceylan" href="https://thelazyoxymoron.me/posts/cinema/winter-sleep/"></a>
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<h2>Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan
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||||||
</h2>
|
|
||||||
</header>
|
|
||||||
<section class="entry-content">
|
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||||||
<p>Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
|
|
||||||
A slow, methodical display of patience and absurdity juxtaposed on the vast landscape, this film has something else going for it. When you read the synopsis or look at the posters, you expect a certain police procedural drama - the kind of which you’ve been accustomed to till date. What you get is a completely different take on the trope....</p>
|
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<footer class="entry-footer"><span title='2021-02-07 22:44:49 +0530 IST'>February 7, 2021</span> · 1 min · Siddhartha</footer>
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<a class="entry-link" aria-label="post link to Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan" href="https://thelazyoxymoron.me/posts/cinema/anatolia/"></a>
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<title>Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman</title>
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||||||
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<description>Nothing extra-ordinary in terms of content, but special when you think of the book as a compilation of useful frameworks to think about time.
|
||||||
|
Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I&rsquo;ve already been a productivity addict for so long that it&rsquo;s impossible for me to make a fresh start. The central theme of the book - that you won&rsquo;t ever get to do all the things you&rsquo;ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland.</description>
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<title>After Life (1998) by Hirokazu Kore-eda</title>
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<title>After Life (1998) by Hirokazu Kore-eda</title>
|
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<h2>Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan
|
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</h2>
|
||||||
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</header>
|
||||||
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<section class="entry-content">
|
||||||
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<p>Verdict: ★ ★ ★ ★ ☆ Check it out on Letterboxd
|
||||||
|
A slow, methodical display of patience and absurdity juxtaposed on the vast landscape, this film has something else going for it. When you read the synopsis or look at the posters, you expect a certain police procedural drama - the kind of which you’ve been accustomed to till date. What you get is a completely different take on the trope....</p>
|
||||||
|
</section>
|
||||||
|
<footer class="entry-footer"><span title='2021-02-07 22:44:49 +0530 IST'>February 7, 2021</span> · 1 min · Siddhartha</footer>
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<a class="entry-link" aria-label="post link to Once Upon a Time in Anatolia (2011) by Nuri Bilge Ceylan" href="https://thelazyoxymoron.me/posts/cinema/anatolia/"></a>
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<h2>Riding Solo to the Top of the World (2006) by Gaurav Jani
|
<h2>Riding Solo to the Top of the World (2006) by Gaurav Jani
|
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<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
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<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
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Motorcycling community is laden with fist-pumping-muscle-bulging-neckbeardy-speed-ninjas-Harley-fans, and it usually gets a bad rap all across the world. Gaurav Jani is none of these things. His passion and humility and curious nature reminded me why I loved biking in the first place. This is a must-watch for anyone fascinated with two wheels and the places they enable you to visit....</p>
|
Motorcycling community is laden with fist-pumping-muscle-bulging-neckbeardy-speed-ninjas-Harley-fans, and it usually gets a bad rap all across the world. Gaurav Jani is none of these things. His passion and humility and curious nature reminded me why I loved biking in the first place. This is a must-watch for anyone fascinated with two wheels and the places they enable you to visit.</p>
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<footer class="entry-footer"><span title='2021-01-03 22:53:01 +0530 IST'>January 3, 2021</span> · 1 min · Siddhartha</footer>
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<footer class="entry-footer"><span title='2021-01-03 22:53:01 +0530 IST'>January 3, 2021</span> · 1 min · Siddhartha</footer>
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<a class="entry-link" aria-label="post link to Riding Solo to the Top of the World (2006) by Gaurav Jani" href="https://thelazyoxymoron.me/posts/cinema/riding-solo/"></a>
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<footer class="entry-footer"><span title='2020-06-09 17:01:36 +0530 IST'>June 9, 2020</span> · 1 min · siddhartha</footer>
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<footer class="entry-footer"><span title='2020-06-09 17:01:36 +0530 IST'>June 9, 2020</span> · 1 min · siddhartha</footer>
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<a class="entry-link" aria-label="post link to Charlie Chaplin (um... not quite)" href="https://thelazyoxymoron.me/posts/drawings/chaplin/"></a>
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<p>My first attempt at drawing after dabbling in caricature pieces in my childhood :)</p>
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<footer class="entry-footer"><span title='2020-06-09 16:51:23 +0530 IST'>June 9, 2020</span> · 1 min · Siddhartha</footer>
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<p>My first attempt at drawing after dabbling in caricature pieces in my childhood :)</p>
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<footer class="entry-footer"><span title='2020-06-09 16:51:23 +0530 IST'>June 9, 2020</span> · 1 min · Siddhartha</footer>
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<h2>Oslo, August 31st (2011) by Joachim Trier
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<footer class="entry-footer"><span title='2019-09-12 20:12:10 +0530 IST'>September 12, 2019</span> · 6 min · Siddhartha</footer>
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<footer class="entry-footer"><span title='2019-09-12 20:12:10 +0530 IST'>September 12, 2019</span> · 6 min · Siddhartha</footer>
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<a class="entry-link" aria-label="post link to Behave: The Biology of Humans at Our Best and Worst by Robert Sapolsky" href="https://thelazyoxymoron.me/posts/reading/behave-review/"></a>
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<p>Check it out on Goodreads
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Started with a tightly-knit structure, but faltered at the end. The last few chapters were a slog to get through - mostly because of numerous “business-class” style case studies.
|
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Main takeaway? Other than the central idea around which the book revolves (and succinctly mentioned as the book subtitle too), the idea of interleaving is what struck me the most. I had already read about this particular method in Michael Nielsen’s brilliant post on Anki (“Augmenting Long-term Memory”) and it was interesting to read about it formally in the book....</p>
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<footer class="entry-footer"><span title='2019-09-05 00:16:14 +0530 IST'>September 5, 2019</span> · 2 min · Siddhartha</footer>
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<p>Check it out on Goodreads
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Started with a tightly-knit structure, but faltered at the end. The last few chapters were a slog to get through - mostly because of numerous “business-class” style case studies.
|
||||||
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Main takeaway? Other than the central idea around which the book revolves (and succinctly mentioned as the book subtitle too), the idea of interleaving is what struck me the most. I had already read about this particular method in Michael Nielsen’s brilliant post on Anki (“Augmenting Long-term Memory”) and it was interesting to read about it formally in the book....</p>
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<footer class="entry-footer"><span title='2019-09-05 00:16:14 +0530 IST'>September 5, 2019</span> · 2 min · Siddhartha</footer>
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<h2>Deference vs. Indifference
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"articleBody": "Check it out on Goodreads\n I find India really fascinating sometimes, even though I’ve lived my whole life here. What the cultural multitudes and colorful festivals hide underneath is an ugly facade which threatens to break everything that has been built over the years. What I find most fascinating is how we’ve conditioned ourselves to ignore the blatant reality and move ahead with an oblivious calm, living in shit and aspiring for the gold.\nCaste and religion are two of the most contentious topics out there, so much ingrained in our day to day life that one cannot even comprehend that any alternatives exist. Ambedkar had tried to show an alternative way out, and it only speaks of the deep-rootedness of the system when all we remember Dr. Ambedkar for is writing the Constitution (albiet not a small feat by any stretch), while all his life he had worked to shake the society off from the chains of caste.\nThis annotated edition is the perfect way to educate oneself about the almost forgotten history of a radical man who dared to question the status quo and to demand justice, fighting not against a foreign invader but with his fellow countrymen, and who has been sidelined from every history book that is taught in the country.\nCaste is part and parcel of a Hindu life. I did not realize or experience this until I entered college. Although it remains rather concealed amongst students, it reared its ugly head whenever the matter of reservation (Affirmative action in west) was discussed. Arundhati Roy put this brilliantly in her forward:\n ‘Merit’ is the weapon of choice for an Indian elite that has dominated a system by allegedly divine authorisation, and denied knowledge—of certain kinds—to the subordinated castes for thousands of years. Now that it is being challenged, there have been passionate privileged-caste protests against the policy of reservation in government jobs and student quotas in universities. The presumption is that ‘merit’ exists in an ahistorical social vacuum and that the advantages that come from privileged-caste social networking and the establishment’s entrenched hostility towards the subordinated castes are not factors that deserve consideration. In truth, ‘merit’ has become a euphemism for nepotism.\n Even now when I no longer believe in religion (Hinduism was never my religion, it was my parents' religion which I inherited, much like everyone else), I still get asked for my “last name” as a proxy for my caste. It is so seeped into our consciousness that we can’t help but feel a reverence whenever we come across someone from a “higher caste”, or to feel discomfort when we meet someone from a “lower caste”. This prejudice even trumps religious beliefs in India - even though their scriptures don’t sanction it, the elite Muslims, Sikhs and Christians all practice caste discrimination.\nThe arguments put forward by Ambedkar for breaking up the entire caste system is a brilliant demonstration of the crystal-clear thinking of a man who left such a huge legacy on the Indian subcontinent and made sure that the future of India is steered in the right direction. He is criticised for asking for a radical transformation of society when India needed to unite everyone to win its freedom. What these criticisms seem to miss is that every radical man/woman is considered radical precisely because i) they go against the cultural norms and ii) they question the deep-rooted prejudiced beliefs. There will never come an “appropriate” time for reforms, as is sadly evident with the still prevalent caste discrimination almost 90 years after Ambedkar decided to storm the gates.\nIt’s a travesty that he still remains, for the large part, forgotten.\n",
|
"articleBody": "Check it out on Goodreads\nI find India really fascinating sometimes, even though I’ve lived my whole life here. What the cultural multitudes and colorful festivals hide underneath is an ugly facade which threatens to break everything that has been built over the years. What I find most fascinating is how we’ve conditioned ourselves to ignore the blatant reality and move ahead with an oblivious calm, living in shit and aspiring for the gold.\nCaste and religion are two of the most contentious topics out there, so much ingrained in our day to day life that one cannot even comprehend that any alternatives exist. Ambedkar had tried to show an alternative way out, and it only speaks of the deep-rootedness of the system when all we remember Dr. Ambedkar for is writing the Constitution (albiet not a small feat by any stretch), while all his life he had worked to shake the society off from the chains of caste.\nThis annotated edition is the perfect way to educate oneself about the almost forgotten history of a radical man who dared to question the status quo and to demand justice, fighting not against a foreign invader but with his fellow countrymen, and who has been sidelined from every history book that is taught in the country.\nCaste is part and parcel of a Hindu life. I did not realize or experience this until I entered college. Although it remains rather concealed amongst students, it reared its ugly head whenever the matter of reservation (Affirmative action in west) was discussed. Arundhati Roy put this brilliantly in her forward:\n‘Merit’ is the weapon of choice for an Indian elite that has dominated a system by allegedly divine authorisation, and denied knowledge—of certain kinds—to the subordinated castes for thousands of years. Now that it is being challenged, there have been passionate privileged-caste protests against the policy of reservation in government jobs and student quotas in universities. The presumption is that ‘merit’ exists in an ahistorical social vacuum and that the advantages that come from privileged-caste social networking and the establishment’s entrenched hostility towards the subordinated castes are not factors that deserve consideration. In truth, ‘merit’ has become a euphemism for nepotism.\nEven now when I no longer believe in religion (Hinduism was never my religion, it was my parents’ religion which I inherited, much like everyone else), I still get asked for my “last name” as a proxy for my caste. It is so seeped into our consciousness that we can’t help but feel a reverence whenever we come across someone from a “higher caste”, or to feel discomfort when we meet someone from a “lower caste”. This prejudice even trumps religious beliefs in India - even though their scriptures don’t sanction it, the elite Muslims, Sikhs and Christians all practice caste discrimination.\nThe arguments put forward by Ambedkar for breaking up the entire caste system is a brilliant demonstration of the crystal-clear thinking of a man who left such a huge legacy on the Indian subcontinent and made sure that the future of India is steered in the right direction. He is criticised for asking for a radical transformation of society when India needed to unite everyone to win its freedom. What these criticisms seem to miss is that every radical man/woman is considered radical precisely because i) they go against the cultural norms and ii) they question the deep-rooted prejudiced beliefs. There will never come an “appropriate” time for reforms, as is sadly evident with the still prevalent caste discrimination almost 90 years after Ambedkar decided to storm the gates.\nIt’s a travesty that he still remains, for the large part, forgotten.\n",
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"image":"https://thelazyoxymoron.me/images/caste.jpg","datePublished": "2021-07-23T22:56:47+05:30",
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<p>‘Merit’ is the weapon of choice for an Indian elite that has dominated a system by allegedly divine authorisation, and denied knowledge—of certain kinds—to the subordinated castes for thousands of years. Now that it is being challenged, there have been passionate privileged-caste protests against the policy of reservation in government jobs and student quotas in universities. The presumption is that ‘merit’ exists in an ahistorical social vacuum and that the advantages that come from privileged-caste social networking and the establishment’s entrenched hostility towards the subordinated castes are not factors that deserve consideration. In truth, ‘merit’ has become a euphemism for nepotism.</p>
|
<p>‘Merit’ is the weapon of choice for an Indian elite that has dominated a system by allegedly divine authorisation, and denied knowledge—of certain kinds—to the subordinated castes for thousands of years. Now that it is being challenged, there have been passionate privileged-caste protests against the policy of reservation in government jobs and student quotas in universities. The presumption is that ‘merit’ exists in an ahistorical social vacuum and that the advantages that come from privileged-caste social networking and the establishment’s entrenched hostility towards the subordinated castes are not factors that deserve consideration. In truth, ‘merit’ has become a euphemism for nepotism.</p>
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<p>Even now when I no longer believe in religion (Hinduism was never my religion, it was my parents' religion which I inherited, much like everyone else), I still get asked for my “last name” as a proxy for my caste. It is so seeped into our consciousness that we can’t help but feel a reverence whenever we come across someone from a “higher caste”, or to feel discomfort when we meet someone from a “lower caste”. This prejudice even trumps religious beliefs in India - even though their
|
<p>Even now when I no longer believe in religion (Hinduism was never my religion, it was my parents’ religion which I inherited, much like everyone else), I still get asked for my “last name” as a proxy for my caste. It is so seeped into our consciousness that we can’t help but feel a reverence whenever we come across someone from a “higher caste”, or to feel discomfort when we meet someone from a “lower caste”. This prejudice even trumps religious beliefs in India - even though their
|
||||||
scriptures don’t sanction it, the elite Muslims, Sikhs and Christians all practice caste discrimination.</p>
|
scriptures don’t sanction it, the elite Muslims, Sikhs and Christians all practice caste discrimination.</p>
|
||||||
<p>The arguments put forward by Ambedkar for breaking up the entire caste system is a brilliant demonstration of the crystal-clear thinking of a man who left such a huge legacy on the Indian subcontinent and made sure that the future of India is steered in the right direction. He is criticised for asking for a radical transformation of society when India needed to unite everyone to win its freedom. What these criticisms seem to miss is that every radical man/woman is considered
|
<p>The arguments put forward by Ambedkar for breaking up the entire caste system is a brilliant demonstration of the crystal-clear thinking of a man who left such a huge legacy on the Indian subcontinent and made sure that the future of India is steered in the right direction. He is criticised for asking for a radical transformation of society when India needed to unite everyone to win its freedom. What these criticisms seem to miss is that every radical man/woman is considered
|
||||||
radical precisely because i) they go against the cultural norms and ii) they question the deep-rooted prejudiced beliefs. There will never come an “appropriate” time for reforms, as is sadly evident with the still prevalent caste discrimination almost 90 years after Ambedkar decided to storm the gates.</p>
|
radical precisely because i) they go against the cultural norms and ii) they question the deep-rooted prejudiced beliefs. There will never come an “appropriate” time for reforms, as is sadly evident with the still prevalent caste discrimination almost 90 years after Ambedkar decided to storm the gates.</p>
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Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I’ve already been a productivity addict for so long that it’s impossible for me to make a fresh start. The central theme of the book - that you won’t ever get to do all the things you’ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland.">
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Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I’ve already been a productivity addict for so long that it’s impossible for me to make a fresh start. The central theme of the book - that you won’t ever get to do all the things you’ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland." />
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Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I’ve already been a productivity addict for so long that it’s impossible for me to make a fresh start. The central theme of the book - that you won’t ever get to do all the things you’ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland."/>
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Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman
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<div class="post-meta"><span title='2022-09-21 07:35:24 +0530 IST'>September 21, 2022</span> · 2 min · Siddhartha
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<figure class="entry-cover"><img loading="lazy" src="https://thelazyoxymoron.me/images/four-thousand.jpg" alt="">
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<div class="post-content"><p>Nothing extra-ordinary in terms of content, but special when you think of the book as a compilation of useful frameworks to think about time.</p>
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<p>Alas, I stumbled upon Four Thousand Weeks at such a point in my life where I’ve already been a productivity addict for so long that it’s impossible for me to make a fresh start. The central theme of the book - that you won’t ever get to do all the things you’ve set out to do so you should consciously choose and be happy about your choice - is such an aphoristic statement that no matter how you spin it, it always feels bland.</p>
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<p>Having said that, the self-help ocean that this book is a part of, is filled with heaps of garbage books, so stumbling upon this one is like finding a needle in a haystack. Few ways of thinking about time and choices that I found interesting:</p>
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<blockquote>
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<p>Don’t think of these things as life hacks - don’t treat life as a faulty contraption in need of modification.</p>
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</blockquote>
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<blockquote>
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<p>A spin on FOMO (Fear of Missing Out): missing out is what makes our choices meaningful in the first place, every decision to use a portion of a time on anything represents saying no to every other thing that you could’ve done but you didn’t.</p>
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<blockquote>
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<p>The anti-skill of staying with the anxiety of never having time to do everything.</p>
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</blockquote>
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<blockquote>
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<p>Picking one item from the menu represents an affirmation rather than a defeat. The fact that you could’ve chosen a different and perhaps equally valuable way to spend this afternoon bestows meaning on the choice you did make.</p>
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</blockquote>
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<blockquote>
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<p>A hobbyist is a subversive: they insist that some things are worth doing for themselves alone, despite offering no payoffs in terms of productivity or profit.</p>
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<span>After Life (1998) by Hirokazu Kore-eda</span>
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"articleBody": "Check it out on Goodreads\n World history in a nutshell More than 1100 pages, this behemoth of a book still fails to capture the whole essence of world history - and rightly so. How can you combine over 2000 years of human history and still do justice to every element? But the unique manner in which this book - or more appropriately, collection of letters - has been written, it shines brightly amongst the plethora of history books you can find on this vast subject of world history.\nLately and unfortunately, people in my country have been going down a dangerous political hole and it is almost becoming a fashion statement now to indulge in tales of “revisionist history”, especially when it’s related to foundations of India and the exact roles played by political parties of the time. It’s shameful to hear people bashing Nehru for whatever “wrongs” he committed, while at the same time, being ignorant about his accomplishments and the monumentally difficult task he faced of leading and building India during its first few years of Independence.\nThe personal nature of the letters and the choice of the subject notwithstanding - or more accurately, I should say because of these characteristics - this book is also a revealing window to the character and intelligence of our first Prime Minister.\nThis one would surely go onto my favorites' stand :)\n",
|
"articleBody": "Check it out on Goodreads\nWorld history in a nutshell More than 1100 pages, this behemoth of a book still fails to capture the whole essence of world history - and rightly so. How can you combine over 2000 years of human history and still do justice to every element? But the unique manner in which this book - or more appropriately, collection of letters - has been written, it shines brightly amongst the plethora of history books you can find on this vast subject of world history.\nLately and unfortunately, people in my country have been going down a dangerous political hole and it is almost becoming a fashion statement now to indulge in tales of “revisionist history”, especially when it’s related to foundations of India and the exact roles played by political parties of the time. It’s shameful to hear people bashing Nehru for whatever “wrongs” he committed, while at the same time, being ignorant about his accomplishments and the monumentally difficult task he faced of leading and building India during its first few years of Independence.\nThe personal nature of the letters and the choice of the subject notwithstanding - or more accurately, I should say because of these characteristics - this book is also a revealing window to the character and intelligence of our first Prime Minister.\nThis one would surely go onto my favorites’ stand :)\n",
|
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|||||||
<p>More than 1100 pages, this behemoth of a book still fails to capture the whole essence of world history - and rightly so. How can you combine over 2000 years of human history and still do justice to every element? But the unique manner in which this book - or more appropriately, collection of letters - has been written, it shines brightly amongst the plethora of history books you can find on this vast subject of world history.</p>
|
<p>More than 1100 pages, this behemoth of a book still fails to capture the whole essence of world history - and rightly so. How can you combine over 2000 years of human history and still do justice to every element? But the unique manner in which this book - or more appropriately, collection of letters - has been written, it shines brightly amongst the plethora of history books you can find on this vast subject of world history.</p>
|
||||||
<p>Lately and unfortunately, people in my country have been going down a dangerous political hole and it is almost becoming a fashion statement now to indulge in tales of <em>“revisionist history”</em>, especially when it’s related to foundations of India and the exact roles played by political parties of the time. It’s shameful to hear people bashing Nehru for whatever “wrongs” he committed, while at the same time, being ignorant about his accomplishments and the monumentally difficult task he faced of leading and building India during its first few years of Independence.</p>
|
<p>Lately and unfortunately, people in my country have been going down a dangerous political hole and it is almost becoming a fashion statement now to indulge in tales of <em>“revisionist history”</em>, especially when it’s related to foundations of India and the exact roles played by political parties of the time. It’s shameful to hear people bashing Nehru for whatever “wrongs” he committed, while at the same time, being ignorant about his accomplishments and the monumentally difficult task he faced of leading and building India during its first few years of Independence.</p>
|
||||||
<p>The personal nature of the letters and the choice of the subject notwithstanding - or more accurately, I should say <em>because</em> of these characteristics - this book is also a revealing window to the character and intelligence of our first Prime Minister.</p>
|
<p>The personal nature of the letters and the choice of the subject notwithstanding - or more accurately, I should say <em>because</em> of these characteristics - this book is also a revealing window to the character and intelligence of our first Prime Minister.</p>
|
||||||
<p>This one would surely go onto my favorites' stand :)</p>
|
<p>This one would surely go onto my favorites’ stand :)</p>
|
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"articleBody": "Check it out on Goodreads\n Ethics is hard.\nIf I’ve learnt something all these years, it is this universal maxim. Everybody wishes they’d make ethically sound choices in their lives, but more often than not, ethical choices are in contrast with cost and convenience. Nowhere is this more apparent than the way we consume food.\nThere are a lot of similarities between food and religion. Both are deeply personal choices which are erroneously thought of as having a clear, set winning answer. Both divide people into disjoint sets where they vehemently try to outdo one another in following “The Right Way”. And of course, both are deeply political.\nMy personal journey in food, as in religion, has been quite tumultuous. Coming from a vegetarian family, I used to feel discomfort in sitting at the same table where somebody was eating meat, used to scoff at the smell of eggs and couldn’t go near anything related to fish (this is still the case). Then somewhere along the way, I decided that I don’t have a right to reject things which I haven’t experienced myself and started indulging in this forbidden fruit. I tried everything I could get my hands on, but never reached that stage where I could appreciate the hype. Having gotten a taste of the other side, I made the decision to quit everything and slowly move back to being a vegetarian/vegan.\nThis was the point where I started to seek out reasons to convince me of my choice, and came across this book.\nI wouldn’t call this a balanced book in the sense that the authors' convictions are clear from the start, however where this shines is the way they use evidence to reach their conclusions rather than playing on guilt and shame. The basic fact remains, and this I have confirmed with many of my non-vegetarian friends as well, that we know too little about where our food comes from and our choices would be different if we were armed with this knowledge. The authors visit few American families and observe their eating habits, and then take us through some factory farms where the brutalities are quite graphic and sometimes hard to read and difficult to digest.\nHowever, one qualm that I had while reading through these chapters, was the over-importance of ethics in our everyday choices. Not everyone wants to live a Kantian life full of moments filled with questioning their every choice. Life is hard to live anyway. I was delighted though to find a section dealing with this exhaustion:\n Sometimes the very success of the ethical consumer movement and the proliferation of consumer concerns it has spawned seems to threaten the entire ethical consumption project. When one ethical concern is heaped upon another and we struggle to be sure that our purchases do not contribute to slave labor, animal exploitation, land degradation, wetland pollution, rural depopulation, unfair trade practices, global warming, and the destruction of rain-forests, it may all seem so complicated that we could be tempted to forget about everything except eating what we like and can afford.\n I’m facing this situation myself when I eat eggs and drink milk in the morning - if every time I consume an animal product, I have to think about where this is coming from and whether I’ve unintentionally hurt an animal - to say that my day-to-day life would be unpleasant would be an understatement. However, we should be cautious of throwing the baby out with bathwater - the choice doesn’t have to be between over-indulgence and starvation; we just need to be a bit more conscious of what we consume. To borrow an economist’s favorite phrase: there’s always a trade-off. We just need to be aware of the ones we are making.\nAll in all, I found this to be quite an informative read, albeit a bit dry in places, but would definitely recommend.\n",
|
"articleBody": "Check it out on Goodreads\nEthics is hard.\nIf I’ve learnt something all these years, it is this universal maxim. Everybody wishes they’d make ethically sound choices in their lives, but more often than not, ethical choices are in contrast with cost and convenience. Nowhere is this more apparent than the way we consume food.\nThere are a lot of similarities between food and religion. Both are deeply personal choices which are erroneously thought of as having a clear, set winning answer. Both divide people into disjoint sets where they vehemently try to outdo one another in following “The Right Way”. And of course, both are deeply political.\nMy personal journey in food, as in religion, has been quite tumultuous. Coming from a vegetarian family, I used to feel discomfort in sitting at the same table where somebody was eating meat, used to scoff at the smell of eggs and couldn’t go near anything related to fish (this is still the case). Then somewhere along the way, I decided that I don’t have a right to reject things which I haven’t experienced myself and started indulging in this forbidden fruit. I tried everything I could get my hands on, but never reached that stage where I could appreciate the hype. Having gotten a taste of the other side, I made the decision to quit everything and slowly move back to being a vegetarian/vegan.\nThis was the point where I started to seek out reasons to convince me of my choice, and came across this book.\nI wouldn’t call this a balanced book in the sense that the authors’ convictions are clear from the start, however where this shines is the way they use evidence to reach their conclusions rather than playing on guilt and shame. The basic fact remains, and this I have confirmed with many of my non-vegetarian friends as well, that we know too little about where our food comes from and our choices would be different if we were armed with this knowledge. The authors visit few American families and observe their eating habits, and then take us through some factory farms where the brutalities are quite graphic and sometimes hard to read and difficult to digest.\nHowever, one qualm that I had while reading through these chapters, was the over-importance of ethics in our everyday choices. Not everyone wants to live a Kantian life full of moments filled with questioning their every choice. Life is hard to live anyway. I was delighted though to find a section dealing with this exhaustion:\nSometimes the very success of the ethical consumer movement and the proliferation of consumer concerns it has spawned seems to threaten the entire ethical consumption project. When one ethical concern is heaped upon another and we struggle to be sure that our purchases do not contribute to slave labor, animal exploitation, land degradation, wetland pollution, rural depopulation, unfair trade practices, global warming, and the destruction of rain-forests, it may all seem so complicated that we could be tempted to forget about everything except eating what we like and can afford.\nI’m facing this situation myself when I eat eggs and drink milk in the morning - if every time I consume an animal product, I have to think about where this is coming from and whether I’ve unintentionally hurt an animal - to say that my day-to-day life would be unpleasant would be an understatement. However, we should be cautious of throwing the baby out with bathwater - the choice doesn’t have to be between over-indulgence and starvation; we just need to be a bit more conscious of what we consume. To borrow an economist’s favorite phrase: there’s always a trade-off. We just need to be aware of the ones we are making.\nAll in all, I found this to be quite an informative read, albeit a bit dry in places, but would definitely recommend.\n",
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@@ -220,7 +220,7 @@ There are a lot of similarities between food and religion. Both are deeply perso
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<p>There are a lot of similarities between food and religion. Both are deeply personal choices which are erroneously thought of as having a clear, set winning answer. Both divide people into disjoint sets where they vehemently try to outdo one another in following “The Right Way”. And of course, both are deeply political.</p>
|
<p>There are a lot of similarities between food and religion. Both are deeply personal choices which are erroneously thought of as having a clear, set winning answer. Both divide people into disjoint sets where they vehemently try to outdo one another in following “The Right Way”. And of course, both are deeply political.</p>
|
||||||
<p>My personal journey in food, as in religion, has been quite tumultuous. Coming from a vegetarian family, I used to feel discomfort in sitting at the same table where somebody was eating meat, used to scoff at the smell of eggs and couldn’t go near anything related to fish (this is still the case). Then somewhere along the way, I decided that I don’t have a right to reject things which I haven’t experienced myself and started indulging in this forbidden fruit. I tried everything I could get my hands on, but never reached that stage where I could appreciate the hype. Having gotten a taste of the other side, I made the decision to quit everything and slowly move back to being a vegetarian/vegan.</p>
|
<p>My personal journey in food, as in religion, has been quite tumultuous. Coming from a vegetarian family, I used to feel discomfort in sitting at the same table where somebody was eating meat, used to scoff at the smell of eggs and couldn’t go near anything related to fish (this is still the case). Then somewhere along the way, I decided that I don’t have a right to reject things which I haven’t experienced myself and started indulging in this forbidden fruit. I tried everything I could get my hands on, but never reached that stage where I could appreciate the hype. Having gotten a taste of the other side, I made the decision to quit everything and slowly move back to being a vegetarian/vegan.</p>
|
||||||
<p>This was the point where I started to seek out reasons to convince me of my choice, and came across this book.</p>
|
<p>This was the point where I started to seek out reasons to convince me of my choice, and came across this book.</p>
|
||||||
<p>I wouldn’t call this a balanced book in the sense that the authors' convictions are clear from the start, however where this shines is the way they use evidence to reach their conclusions rather than playing on guilt and shame. The basic fact remains, and this I have confirmed with many of my non-vegetarian friends as well, that we know too little about where our food comes from and our choices would be different if we were armed with this knowledge. The authors visit few American families and observe their eating habits, and then take us through some factory farms where the brutalities are quite graphic and sometimes hard to read and difficult to digest.</p>
|
<p>I wouldn’t call this a balanced book in the sense that the authors’ convictions are clear from the start, however where this shines is the way they use evidence to reach their conclusions rather than playing on guilt and shame. The basic fact remains, and this I have confirmed with many of my non-vegetarian friends as well, that we know too little about where our food comes from and our choices would be different if we were armed with this knowledge. The authors visit few American families and observe their eating habits, and then take us through some factory farms where the brutalities are quite graphic and sometimes hard to read and difficult to digest.</p>
|
||||||
<p>However, one qualm that I had while reading through these chapters, was the over-importance of ethics in our everyday choices. Not everyone wants to live a Kantian life full of moments filled with questioning their every choice. Life is hard to live anyway. I was delighted though to find a section dealing with this exhaustion:</p>
|
<p>However, one qualm that I had while reading through these chapters, was the over-importance of ethics in our everyday choices. Not everyone wants to live a Kantian life full of moments filled with questioning their every choice. Life is hard to live anyway. I was delighted though to find a section dealing with this exhaustion:</p>
|
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<blockquote>
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<p>Sometimes the very success of the ethical consumer movement and the proliferation of consumer concerns it has spawned seems to threaten the entire ethical consumption project. When one ethical concern is heaped upon another and we struggle to be sure that our purchases do not contribute to slave labor, animal exploitation, land degradation, wetland pollution, rural depopulation, unfair trade practices, global warming, and the destruction of rain-forests, it may all seem so complicated that we could be tempted to forget about everything except eating what we like and can afford.</p>
|
<p>Sometimes the very success of the ethical consumer movement and the proliferation of consumer concerns it has spawned seems to threaten the entire ethical consumption project. When one ethical concern is heaped upon another and we struggle to be sure that our purchases do not contribute to slave labor, animal exploitation, land degradation, wetland pollution, rural depopulation, unfair trade practices, global warming, and the destruction of rain-forests, it may all seem so complicated that we could be tempted to forget about everything except eating what we like and can afford.</p>
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@@ -13,7 +13,7 @@ I am an atheist interested in the power of mindfulness and the whole world of so
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<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
|
<p>Verdict: ★ ★ ★ ★ ★ Check it out on Letterboxd
|
||||||
Motorcycling community is laden with fist-pumping-muscle-bulging-neckbeardy-speed-ninjas-Harley-fans, and it usually gets a bad rap all across the world. Gaurav Jani is none of these things. His passion and humility and curious nature reminded me why I loved biking in the first place. This is a must-watch for anyone fascinated with two wheels and the places they enable you to visit....</p>
|
Motorcycling community is laden with fist-pumping-muscle-bulging-neckbeardy-speed-ninjas-Harley-fans, and it usually gets a bad rap all across the world. Gaurav Jani is none of these things. His passion and humility and curious nature reminded me why I loved biking in the first place. This is a must-watch for anyone fascinated with two wheels and the places they enable you to visit.</p>
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<footer class="entry-footer"><span title='2021-01-03 22:53:01 +0530 IST'>January 3, 2021</span> · 1 min · Siddhartha</footer>
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<footer class="entry-footer"><span title='2021-01-03 22:53:01 +0530 IST'>January 3, 2021</span> · 1 min · Siddhartha</footer>
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<a href="https://thelazyoxymoron.me/tags/poetry/">poetry <sup><strong><sup>2</sup></strong></sup> </a>
|
<a href="https://thelazyoxymoron.me/tags/poetry/">poetry <sup><strong><sup>2</sup></strong></sup> </a>
|
||||||
</li>
|
</li>
|
||||||
|
<li>
|
||||||
|
<a href="https://thelazyoxymoron.me/tags/productivity/">productivity <sup><strong><sup>1</sup></strong></sup> </a>
|
||||||
|
</li>
|
||||||
<li>
|
<li>
|
||||||
<a href="https://thelazyoxymoron.me/tags/relationship/">relationship <sup><strong><sup>1</sup></strong></sup> </a>
|
<a href="https://thelazyoxymoron.me/tags/relationship/">relationship <sup><strong><sup>1</sup></strong></sup> </a>
|
||||||
</li>
|
</li>
|
||||||
|
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Reference in New Issue
Block a user